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Symphonic and chamber composer who began scoring films for Alexander Korda in England in the 1930s and went with him to Hollywood to make The Thief of Bagdad (1940). A prolific and versatile figure, Rozsa's work ranges from the intimate, disturbing accompaniment for Spellbound (1945) to the epic, sweeping scores of Ben-Hur (1959) and El Cid (1961).
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