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THE LODGER
(1926)
At a desk in a newsroom.
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BLACKMAIL
(1929)
Being bothered by a small boy as he reads a book in the
subway.
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MURDER (1930)
Walking past the house where the murder was committed,
about an hour into the movie.
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THE 39 STEPS (1935)
Tossing some litter while Robert Donat and Lucie Mannheim
run from the theater, seven minutes into the movie.
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YOUNG AND INNOCENT
(1938)
Outside the courthouse, holding a camera.
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THE LADY VANISHES
(1938)
Very near the end of the movie, in Victoria Station, wearing
a black coat and smoking a cigarette.
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REBECCA (1940)
Walking near the phone booth in the final part of the
film just after George Sanders makes a call.
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FOREIGN CORRESPONDENT
(1940)
Early in the movie, after Joel McCrea leaves his hotel,
wearing a coat and hat and reading a newspaper.
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MR. AND MRS. SMITH (1941)
Midway through, passing Robert Montgomery in front of
his building.
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SUSPICION (1941)
Mailing a letter at the village postbox about 45 minutes
in.
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SHADOW OF A DOUBT
(1943)
On the train to Santa Rosa, playing cards.
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LIFEBOAT
(1944)
In the "before" and "after" pictures in the newspaper
ad for Reduco Obesity Slayer.
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SPELLBOUND (1945): Coming
out of an elevator at the Empire Hotel, carrying a violin
case and smoking a cigarette.
Criterion Collection DVD
Chapter 9 at 43:07
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NOTORIOUS
(1946)
At a big party in Claude Rains's mansion, drinking champagne
and then quickly departing, an hour after the film begins.
Criterion Collection DVD - Chapter
18 "The Party" at 01:04:39
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THE PARADINE CASE
(1947)
Leaving the train and Cumberland Station, carrying a cello.
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STAGE FRIGHT (1950)
Turning to look at Jane Wyman in her disguise as Marlene
Dietrich's maid.
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STRANGERS ON A TRAIN (1951)
Boarding a train with a double bass fiddle as Farley Granger
gets off in his hometown, early in the film.
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I CONFESS (1953)
Crossing the top of a staircase after the opening credits.
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DIAL M FOR MURDER (1954)
On the left side of the class-reunion photo, thirteen
minutes into the film.
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REAR WINDOW
(1954)
Winding the clock in the songwriter's apartment, a half
hour into the movie.
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TO CATCH A THIEF
(1955)
Ten minutes in, sitting to the left of Cary Grant on a
bus.
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THE TROUBLE WITH HARRY
(1955)
Walking past the parked limousine of an old man who is
looking at paintings, twenty minutes into the film.
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THE MAN WHO KNEW TOO MUCH
(1956)
Watching acrobats in the Moroccan marketplace (his back
to the camera) just before the murder.
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VERTIGO (1958)
In a gray suit walking in the street, eleven minutes in.
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NORTH BY NORTHWEST
(1959)
Missing a bus during the opening credits.
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PSYCHO (1960)
Four minutes in, through Janet Leigh's window as she returns
to her office. He is wearing a cowboy hat.
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THE BIRDS (1963)
Leaving the pet shop with two white terriers as Tippi Hedren enters.
Universal DVD - at 00:02:18
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MARNIE (1964)
Entering from the left of the hotel corridor after Tippi
Hedren passes by, five minutes in.
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TORN CURTAIN
(1966)
Early in the film, sitting in the Hotel d'Angleterre lobby
with a blond baby.
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- - - - - - -
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TOPAZ (1969)
Being pushed in a wheelchair in an airport, half an hour
in. Hitchcock gets up from the chair, shakes hands with
a man, and walks off to the right.
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FRENZY (1972)
In the center of a crowd, wearing a bowler hat, three
minutes into the film; he is the only one not applauding
the speaker.
|
| 
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FAMILY PLOT (1976)
In silhouette through the door of the Registrar of Births
and Deaths, 41 minutes into the movie.
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